Day at the Races was born when I realized how many lovely old horses my wife, Sharon, and I had amassed. Big ones, small ones - all of these are so beautiful to me with their carved details and weathered surfaces. This piece is one of my favorite works.
The horses range in age; the oldest one is in the very back and is a pedal horse from 1919. (You can see more of this toy in Horsecycle. Others are the little carousel horse (the one with the great shadow) and balancing toys.
The key to this image is providing the sensation of texture - you know what rough wood feels like, you know what painted wood feels like, so it was essential that I get these wood surfaces absolutely right so that the tactile information you get from your eyes rings true. The goal was to have people feel like they could step right into this scene.
I used abstract art painting techniques for the surface of the boxes, particularly on the green one, to give the weathered appearance I wanted. Lighting is from the lower right, set with enough intensity to create the crisp, interesting shadows on the back wall.
I sold the original painting of Day at the Races to a woman whose father used to take her to the races as a child. He’d say to her: “Let’s have a day at the races!” I can’t tell you how heartwarming it feels to be able to trigger a happy memory in someone with my work.
I was pleased to see that others appreciated Day at the Races, too. It was a national finalist in the Still Life category at the Art Renewal Center 2013-2014 International ARC Salon.
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If for any reason you are not completely satisfied with your artwork, you may return it within 14 days of receipt and receive a free replacement or a full refund for the price of the product. The artwork must be returned, undamaged. Return shipping cost is at the customer’s expense; and we ask that you insure the artwork for return. We cannot accept returns on custom artwork or commissions.
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Description from Merchant:
We do our best to provide prints that will be enjoyed by your family for many years to come by using the finest archival materials available.
Paper prints are made with premium archival inks, printed on 100% acid free, cotton rag paper.
Fine Art Canvas prints and wraps are printed directly onto museum-quality canvas material using high-quality archival inks. Your choice of Glossy or Lustre Laminate is applied to each piece to protect the surface of the canvas print.
The image stability of MetalPrints is 2 to 4 times the image stability of traditional silver based photo papers.
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