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The Long Road from Green to White

  • A delicate monochromatic study for the oenophile

    Dozens of shades of green combine to depict a produce truck motoring down the road in the warm glow of the evening.

  • I love this painting. With the palette limited largely to shades of white and green, it gives such a harmonious, elegant feel.

    The challenge here is that to get the right colors, I had to mix each shade of green to ensure that the hues worked together - and there’s simply no grabbing a tube of paint when an exact shade of chartreuse is required. That’s where my 40+ years as a painter come in handy. Knowing how much purple, white, or red to daub in saves much wasted paint.

    You can see me setting up this scene in a video on Instagram: The Long Road from Green to White.

    Other details

    The Long Road from Green to White is a companion piece to The Long and Wine-ding Road, which features purple grapes on a similar journey to the winery. The two images are mirrored and have the truck and shelf at the same level so they can be hung side-by-side, if desired.

  • All Richard Hall prints are limited edition and hand-signed and numbered by the artist.

    All of our prints are finished with a coating that protects the print and enhances light-fastness; we use the highest quality pigmented inks with an estimated lifetime of 118 years.

    Canvas giclées: Edition of 50 (for all sizes), signed and numbered on the back of the piece. Archivally mounted or stretched and hand-coated with protectant. Framed canvas giclées are hand-framed in our studio with an espresso-colored frame with gold-tone lip. Unframed canvas giclées should not be framed with glass.

    Paper giclées: Edition of 250 for 12” x 12” sizes; edition of 125 for 20” x 20”. Printed on high-quality, acid-free paper and comes with a hand-cut mat that fits into a standard-size frame. We recommend that you use a frame with glass to ensure longevity of your paper print.