One of my favorite images featuring an English cooking staple
Leeks are a popular veggie in England where I grew up. In fact, I worked at a greengrocer as a boy and spent many hours harvesting leeks so I am on a first name basis with this delicious member of the onion family.
Given the inherently funny nature of the vegetable’s name, it wasn’t too much of a stretch to put the leeks in a toy truck to get Old Truck with Leeks. Of course, I couldn’t resist adding the spilled liquid (the leak!) to complete the visual wordplay.
I love this background - the dramatic shadows amplify the composition and provide such visual interest. (Just look at those fuzzy shadows of the roots.) On some images, I spend a majority of the setup time tweaking the lighting to get the right mix of focus and drama; in Old Truck with Leeks, I feel that I hit it just right.
I find that many Americans are unfamiliar with leeks and think this is an image featuring scallions, another member of the onion family to which leeks belong. The flipside to this image is Just Fell Off the Turnip Truck, which features an all-American phrase that we Brits don’t know.
All Richard Hall prints are limited edition and hand-signed and numbered by the artist.
All of our prints are finished with a coating that protects the print and enhances light-fastness; we use the highest quality pigmented inks with an estimated lifetime of 118 years.
Canvas giclées: Edition of 50 (for all sizes), signed and numbered on the back of the piece. Archivally mounted or stretched and hand-coated with protectant. Framed canvas giclées are hand-framed in our studio with an espresso-colored frame with gold-tone lip. Unframed canvas giclées should not be framed with glass.
Paper giclées: Edition of 250 for 12” x 16” sizes; edition of 125 for 18” x 24”. Printed on high-quality, acid-free paper and comes with a hand-cut mat that fits into a standard-size frame. We recommend that you use a frame with glass to ensure longevity of your paper print.
For 35 years, Richard Hall enjoyed a successful career in fine art, using his talents to explore the opposing worlds of abstract art and traditional still life. But chance intervened when a mischievous toddler added her two-cents worth to one of Richard’s still life settings, prompting Richard to see his work in an entirely new way. READ MORE
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