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Looking for a Needle in a Haystack

  • My tribute to Claude Monet

    Looking for a Needle in a Haystack is part of my new series, Visionaries: My Tribute to the Innovators of Fine Art. In this image, I explore the work of a founder of French Impressionism, Claude Monet (1840-1926).

    In this work, I re-imagine one of the paintings from Monet’s famous Haystacks series. My version features a bold abstract background coupled with a magnifying glass and needle rendered in still life realism. (The magnifying glass belonged to my stamp collector grandfather and is well over 100 years old.)

    About the Visionaries series 

    Every museum store in the world carries postcards of their most popular works. I have dozens of these cards featuring every style of painting imaginable.

    In this new series, Visionaries: My Tribute to the Innovators of Fine Art, I explore the artistry of these painters - marrying their iconic images with both abstract backgrounds and ultra-realistic still life objects to create something entirely new.

    I hope you enjoy them.

  • The first challenge of Looking for a Needle in a Haystack was recreating this impressionistic painting on such a tiny scale. I used a very small brush and fine brushstrokes to get the proper effect.

    But an even bigger challenge was getting the refraction from the magnifying glass, providing not only a realistic magnification of the needle, but also an accurate appearance on the abstract background. Here, I employed a bit of artistic license to make the reflection and shadow look right - the literal interpretation of what I saw in the studio didn’t look real on the canvas.

    You can watch videos of the creation of Looking for a Needle in a Haystack on Instagram.

  • All Richard Hall prints are limited edition and hand-signed and numbered by the artist.

    All of our prints are finished with a coating that protects the print and enhances light-fastness; we use the highest quality pigmented inks with an estimated lifetime of 118 years.

    Canvas giclées: Edition of 50 (for all sizes), signed and numbered on the back of the piece. Archivally mounted or stretched and hand-coated with protectant. Framed canvas giclées are hand-framed in our studio with an espresso-colored frame with gold-tone lip. Unframed canvas giclées should not be framed with glass.

    Paper giclées: Edition of 250 for 12” x 16” sizes; edition of 125 for 18” x 24”. Printed on high-quality, acid-free paper and comes with a hand-cut mat that fits into a standard-size frame. We recommend that you use a frame with glass to ensure longevity of your paper print.