Guacamobile

Size
Medium & Finishing
  • Because a craving for guacamole can drive you crazy!

    For a still life artist, a recipe is like a schematic for a painting - and so it was with Guacamobile, where the ingredient list for this snack-time treat lead to a new work of art.

    You are probably aware that I have a penchant for pairing vintage toy trucks with traditional (and not so traditional) still life foodstuffs. Inorganic textures of these old metal toys combined with organic shapes and surfaces of fruit and veg (and sometimes donuts, are enjoyable challenges to paint and results in compelling compositions for the audience to view.



  • Guacamole contains ingredients that still life artists love to paint: tomatoes with their turgid flesh; onions and garlic with their papery skin; and avocados with their odd, bumpy texture.

    To enhance the variety of surfaces (and make them look appropriately appetizing), I used soft, center-focused spotlighting to make the produce gleam and the truck’s metal surfaces shine. The background’s dark edges help focus your eye to to the center of the composition.


    Other details

    The truck featured is a vintage Wyandotte toy company “stake truck”, so-called because of the construction of the truck bed. I have several of these lovely vehicles in my collection - they were beautifully made and came in a range of colors, including pastels for Easter.

    The name for this image was courtesy of my wife, Sharon. She came into the studio, saw the setting, and said: “It’s a guacamobile!” (Thank you, honey.)



  • All Richard Hall prints are limited edition and hand-signed and numbered by the artist.

    All of our prints are finished with a coating that protects the print and enhances light-fastness; we use the highest quality pigmented inks with an estimated lifetime of 118 years.

    Canvas giclées: Edition of 50 (for all sizes), signed and numbered on the back of the piece. Archivally mounted or stretched and hand-coated with protectant. Framed canvas giclées are hand-framed in our studio with an espresso-colored frame with gold-tone lip. Unframed canvas giclées should not be framed with glass.

    Paper giclées: Edition of 250 for 12” x 16” sizes; edition of 125 for 18” x 24”. Printed on high-quality, acid-free paper and comes with a hand-cut mat that fits into a standard-size frame. We recommend that you use a frame with glass to ensure longevity of your paper print.



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