Celebrating NYC’s iconic
I had this wonderful vintage pedal taxi in my collection for almost a year, but couldn’t find the spark for a story to tell about it - until one snowy day in New York, the story found me.
In January, 2016, I was visiting Manhattan when a major snowstorm blanketed the region. The snow was remarkable, shutting down the city and airports for days. When the weather finally cleared enough for me to head home, I hailed a cab for the airport.
The cabbie was friendly, chatting the whole time we crawled along the icy roads. He told me how he had a big jar at home where he put all his tips to save a college fund for his children - and just like that, I could see the whole composition for The College Fund, complete with a coin-filled jar.
This painting will be featured in The Rehs Gallery ARC Select Show in NYC, beginning Oct. 22, 2016
The taxi pedal car is from the 1950s - 60s, complete with the logo and fare stickers you see here. The suitcase is one of the vintage, leather-covered jobs from the same time period. (Fun fact: I used this suitcase as a model for the tiny one on top of the station wagon in Grand Vacation.
While all big cities have taxis, the yellow cab is part of the very fabric of what makes New York unique. As a nod to this cultural phenomenon, I put an ethereal Manhattan skyline in the upper left of the background, to add just a whisper of the Big Apple for ambiance.
To create the skyline, I first painted it in with dark, black strokes. I then covered it with paint, adding layers until the appearance was hazy and dreamlike.
- All Richard Hall prints are limited edition and hand-signed and numbered by the artist.
All of our prints are finished with a coating that protects the print and enhances light-fastness; we use the highest quality pigmented inks with an estimated lifetime of 118 years.
Canvas giclées: Edition of 50 (for all sizes), signed and numbered on the back of the piece. Archivally mounted or stretched and hand-coated with protectant. Framed canvas giclées are hand-framed in our studio with an espresso-colored frame with gold-tone lip. Unframed canvas giclées should not be framed with glass.
Paper giclées: Edition of 250 for 12” x 16” sizes; edition of 125 for 18” x 24”. Printed on high-quality, acid-free paper and comes with a hand-cut mat that fits into a standard-size frame. We recommend that you use a frame with glass to ensure longevity of your paper print.